Music for TV
In 1994 I succeeded in the entry exam of a state approved course of studies. There I did my qualification in composition, orchestration, guitar and conducting under the guidance of Germanys most renowned tutors.
After 6 semesters I finished my studies with a degree.
During this time I set up my first recording room and started writing and producing music for record companies. I wrote Soundtrack – CDs for many different projects containing a lot of World Music Themes and musical descriptions of countries like Africa, India and China.
I wrote the Music for LATIN MUSIC CLUB and up to today 3 Albums for the highly successful AFRCAN TRIBAL ORCHESTRA.
Beside this, I wrote music for music – libraries. ( Sonoton and EMI Production Music in Germany)
In 2007 / 2008 I had the opportunity to score the Films “Die Reise des Jacob Crane “ and “Coppelius“. ( Both URWERK Film ).
In 2009 I started to write Music for USA television. Luckily my music finds a great echo and is aired on many TV Stations like CBS, NBC, Netflix, Bravo, FOX Sports, History, Telemundo, TLC…
In 2012 I started to write Music for Movie Trailers. Until today i have contributed to the theatrical / TV – marketing campaigns of:
Gone Girl ( 20th Century Fox )
LEGO Jurassic World ( Lionsgate )
Fear the Walking Dead ( AMC Networks )
The Last Witch Hunter ( Lionsgate )
Fantastic Four ( 20th Century Fox )
The Walk ( TriStar Pictures )
Black Panther (Disney)
Insidious 4 (Universal)
The Yellow Birds (Saban Films)
Star Trek Beyond ( Paramount Pictures )
Independence Day: Resurgence ( 20th Century Fox )
Warcraft ( NBC Universal )
Sausage Party ( Columbia Pictures )
Jack Reacher ( Paramount Pictures )
The BFG ( Walt Disney Studios )
The Girl on the Train ( Universal Pictures )
A Monster Calls (Focus Features)
Dunkirk ( Warner Bros. Pictures )
Atomic Blonde ( Focus Features )
Life ( Columbia Pictures )
Bright ( Netflix )
Jigsaw ( Lionsgate )
Geostorm (Warner Bros. Pictures)
redCola Music – Dissonance (2014)
Promotional montage for RedCola – Dissonance album.
The collection counts 15 rude, grimy, derelict cues brimming with attitude; an assortment of Punctuated Moments and Textures and a cornucopia of glitches, pulses, rises and hits.
Made for scoring trailers, propelling and punctuating the action and setting up dark, foreboding, industrial atmospheres.